2380 Claridge Circle, plano, TX 75075, US

469-396-6297 or 972 591 8761


Special, book an audition for only $35 regularly $55 by mentioning it.

  • Aspiring singers must realize that a solid foundation is the Key towards a career, Breath control, in Opera, Classical 


About me


I began teaching in 1975 and have taught students in Amsterdam, Mexico City, Boston, San Antonio, and Dallas, both privately and at vocal schools. Many of my students have gone on to sing professionally on stage.  My vocal teaching method emphasizes the natural style based on the proper breathing technique and correct posture. My vocal training and teaching method is Bel Canto


Teaching  Hours are typically Mon - Thurs 9 a.m. - 8 p.m. | Fri & Sat 9 a.m.m - 5 p.m. | Closed on Sunday.

My Repertoire



Opera Performances:

RigolettoG. Verdi

ErnaniG. Verdi

Lucia di LammermoorG. Donizetti

I due FoscariG. Verdi

La TraviataG. Verdi

OtelloG. Verdi

Simon BoccanegraG. Verdi

FaustC. Gounod

The Pearl FishersG. Bizet

La BohemeG. Puccini

Of Mice and MenC. Floyd

I PagliacciR. Leoncavallo

L' Italiana In AlgeriG. Rossini

Hansel und GretelE. Humperdinck,

35 performances as the father.


The CreationJ. Haydn

ElijahF. Mendelsohn

Te DeumA. Dvorak

A German RequiemJ. Brahms

Carmina BuranaC. Orff, 30 performances

Christmas OratorioC. Saint-Saens

Soloist for two years with Texas Bach choir in San Antonio, Texas.

Teaching Method



I teach a student making sure the voice is treated with the greatest regards because we only have one voice and it must be handled with care and respect. This alone is the best advice to and for a customer. I will treat your voice perhaps better than you do yourself.

Critique..from the paper

Most notable among the trained voices was James Vanderpost, who sang the conniving Iago with a perfect touch. His darting movements, his duplicitous grin, his compelling baritone and especially his evil, triumphant laugh at the close of act three were perfect. 
Roberta Furie, Providence Journal