Now you can study voice with me on Skype tel: 972.591.8761 email@example.com firstname.lastname@example.org or email@example.com firstname.lastname@example.org
I began teaching in 1975 and have taught students in Amsterdam, Mexico City, Boston, San Antonio, and Dallas, both privately and at vocal schools. Many of my students have gone on to sing professionally on stage. My vocal teaching method emphasizes the natural style based on the proper breathing technique and correct posture. My vocal training and teaching method is Bel Canto
Teaching Hours are typically Mon - Thurs 9 a.m. - 8 p.m. | Fri & Sat 9 a.m.m - 5 p.m. | Closed on Sunday.
Lucia di LammermoorG. Donizetti
I due FoscariG. Verdi
La TraviataG. Verdi
Simon BoccanegraG. Verdi
The Pearl FishersG. Bizet
La BohemeG. Puccini
Of Mice and MenC. Floyd
I PagliacciR. Leoncavallo
L' Italiana In AlgeriG. Rossini
Hansel und GretelE. Humperdinck,
35 performances as the father.
The CreationJ. Haydn
Te DeumA. Dvorak
A German RequiemJ. Brahms
Carmina BuranaC. Orff, 30 performances
Christmas OratorioC. Saint-Saens
Soloist for two years with Texas Bach choir in San Antonio, Texas.
I teach a student making sure the voice is treated with the greatest regards because we only have one voice and it must be handled with care and respect. This alone is the best advice to and for a customer. I will treat your voice perhaps better than you do yourself.
Critique..from the paper
Most notable among the trained voices was James Vanderpost, who sang the conniving Iago with a perfect touch. His darting movements, his duplicitous grin, his compelling baritone and especially his evil, triumphant laugh at the close of act three were perfect.
Roberta Furie, Providence Journal